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Star Trek Discovery Enterprise


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Star Trek Discovery Enterprise

Kadett Connor. Star Trek Discovery – Sam Vartholomeos, Kadett Connor, ein Junior Officer in der Starfleet Academy, USS Shenzhou. Name: Connor. Star Trek: Discovery (Abkürzung DSC) ist die siebte Star-Trek-Serie. Die Serie spielt in den ersten beiden Staffeln 10 Jahre vor Raumschiff Enterprise. Jetzt Staffel 3 auf Netflix ansehen. Unter den Drehbuchautoren und Produzenten von „Discovery“ ist auch Rod Roddenberry, der Sohn des „Star Trek“-Erfinders.

Star Trek Discovery Enterprise Zu diesem Produkt empfehlen wir

Da die Enterprise beschädigt ist, kommt deren Kommandant Pike als Captain auf die Discovery. Dieser vermisst seinen Wissenschaftsoffizier Spock, dessen. Für “Star Trek: Discovery” ist die originale Enterprise nun ein weiteres Mal re-​designt worden und zwar von John Eaves. Während sich Ryan. In Star Trek Discovery hat die Enterprise einen modernen Anstrich erhalten. Ein Fan hat nun dasselbe mit der Discovery gemacht und ihr den Look der er. Star Trek: Discovery (Abkürzung DSC) ist die siebte Star-Trek-Serie. Die Serie spielt in den ersten beiden Staffeln 10 Jahre vor Raumschiff Enterprise. Kadett Connor. Star Trek Discovery – Sam Vartholomeos, Kadett Connor, ein Junior Officer in der Starfleet Academy, USS Shenzhou. Name: Connor. Star Trek - Discovery: Der Enterprise-Krieg eBook: Miller, John Jackson, Parmiter​, Helga: pentanox.eu: Kindle-Shop. Jetzt Staffel 3 auf Netflix ansehen. Unter den Drehbuchautoren und Produzenten von „Discovery“ ist auch Rod Roddenberry, der Sohn des „Star Trek“-Erfinders.

Star Trek Discovery Enterprise

Für “Star Trek: Discovery” ist die originale Enterprise nun ein weiteres Mal re-​designt worden und zwar von John Eaves. Während sich Ryan. Star Trek - Discovery: Der Enterprise-Krieg eBook: Miller, John Jackson, Parmiter​, Helga: pentanox.eu: Kindle-Shop. Jetzt Staffel 3 auf Netflix ansehen. Unter den Drehbuchautoren und Produzenten von „Discovery“ ist auch Rod Roddenberry, der Sohn des „Star Trek“-Erfinders. STAR TREK DISCOVERY Modell aus Metall (Die-Cast) und Kunststoff-Plastik mit englisch sprachigem Magazin. Im November wurde bekannt gegeben, dass eine neue Star-Trek -Fernsehserie geplant ist. Juni Bei Ein Ganzes Halbe Jahr Stream Forschungsmission löst sie einen Zwischenfall mit Klingonen aus, der in einen Krieg mündet. Dies ist die erste Serie, in der das konsequent der Fall ist in den vorhergehenden geschah das nur gelegentlich und oftmals falsch. Januarabgerufen am 9. Aprilabgerufen am Arianne Borbach. Daher Baby Rex Der Kleine Kommissar Online Sehen Abdin Ende August angekündigt, das Studio zu verklagen.

By creating an account, you verify that you are at least 13 years of age, and have read and agree to the Comicbook. Star Trek: Discovery just answered a significant question about the Enterprise during the prequel series era.

Something that surprised Star Trek fans about Star Trek: Discovery was the means of ship-to-ship communication. Starfleet vessels in Star Trek: Discovery all seem to use holographic communication devices that virtually recreate the people speaking to each other in three dimensions.

However, the Enterprise is known to have used viewscreens for communication. So why would this Constitution-class vessel, the pride of Starfleet, have such a different means of communicating?

It turns out that Capt. The production was starting to overrun its per-episode budget, and was falling behind schedule due to Fuller supervising all aspects of the series while also serving as showrunner on another new show, American Gods.

This caused frustration among CBS executives who felt Fuller should be focused on having Discovery ready for release by the January premiere date.

By August , Fuller had hired Gretchen J. Berg and Aaron Harberts , whom he had worked with on Pushing Daisies , to serve as co-showrunners with him.

CBS reiterated that they were "extremely happy with [Fuller's] creative direction" for the series, [51] though some elements of the series that came directly from Fuller were dropped, including some designs and "more heavily allegorical and complex story" points.

With production set to finally begin on the series in January , "a lot of careful deliberation [was] continuing to go into making Discovery special, from the choice of directors, to set design, to the special effects.

This break gave more time to complete post-production on the second half of the season. By the end of August, Berg and Harberts had developed a "road map" for a second season and "the beginnings of one" for a third.

This exceeded the original Netflix deal, but CBS still considered the series paid for due to the number of new All Access subscribers that it was expected to draw.

Despite this, he hoped a second season would be available in early This was due to the first episode of the season going significantly over budget, as well as alleged abusive behavior by the pair directed at the series' writing staff.

Kurtzman was made sole showrunner and was set to "regroup" the writers without causing any delay to the season's production timeline.

After Kurtzman took over, the second season was confirmed to be on track for a January premiere, [68] though there ultimately was enough of a delay in production that CBS extended the season's episode count to 14 as a way to amortize the cost of the delays.

Active development on a fourth season had begun by January , [72] and it was officially announced in October. He said "there are years and years left on Discovery ", adding that the series' jump into the future with the third season had opened up new variables and storytelling opportunities that were preventing the series from feeling stale.

He also noted the precedent of several previous Star Trek series running for seven seasons each, [74] and later added that the series would remain in its new future setting for the rest of its run.

The series' writers room is based at Kurtzman's Secret Hideout offices in Santa Monica , [77] and includes "fans who all have very different relationships to Trek ," which Kurtzman said is "a healthy thing".

He and Kurtzman developed this story from the "DNA" of certain The Original Series episodes to find "the spirit of what Star Trek offers, both in terms of high-concept science fiction storytelling and really wonderful metaphors for the human condition".

Fuller had been one of several writers during the s pushing for Deep Space Nine and Voyager to move towards this style.

Fuller said the series could "push the content envelope since it won't be constrained by broadcast standards", but "it's still Star Trek.

It will probably be slightly more graphic content I imagine we're going to shoot scenes a couple of ways and see what feels more authentic in the editing room.

Harberts explained, "We're trying to do stories that are complicated, with characters with strong points of view and strong passions.

People have to make mistakes—mistakes are still going to be made in the future. We're still going to argue in the future By June , Fuller had met with several actors, and said that "we want to carry on what Star Trek does best, which is being progressive.

So it's fascinating to look at all of these roles through a colorblind prism and a gender-blind prism". He said the series would also include more alien characters than other Star Trek series, and would feature at least one openly gay character.

Fuller, who is gay himself, had been determined to see this happen since receiving hate mail while working on Voyager when a character on that show was rumored to be coming out as gay.

By August, Fuller had discussed the series' casting with Mae Jemison , the first black woman in space who made a cameo appearance in an episode of The Next Generation.

The majority of the series main characters were believed to have been cast by then, but no actress had been cast for the series' lead role.

This was a source of "some internal stress" at CBS. Rapp revealed in July that Wilson Cruz , whom Rapp had previously worked with on the musical Rent , would portray Stamets's love interest Hugh Culber.

However, the executive producers of the series, Cruz, and GLAAD immediately released a statement saying "death is not always final in the Star Trek universe" and that the relationship between Culber and Stamets would continue to be explored.

Harberts described it as one of the most important relationships in the series. Mark Worthington and Todd Cherniawsky served as initial production designers for the series, [98] with Tamara Deverell taking over during production on the first season; [99] Gersha Phillips and Suttirat Anne Larlarb designed the costumes for the series; [3] [] veteran Star Trek designer John Eaves designed starships with Scott Schneider; [] [] Glenn Hetrick and Neville Page of Alchemy Studios provided prosthetics and armor, [3] [] with Page having previously designed for the "Kelvin Timeline" Star Trek films; [] and Mario Moreira served as prop master for the series.

Fuller said on the general approach to design on the show, "we're producing the show in We have to update the style of the effects, the style of the sets, the style of the makeup The main uniforms seen in the series are a navy blue specifically mixed for the show, with gold or silver embellishments depending on the division of the officer.

Medical officers wear a "hospital white" variant, also custom-dyed in Switzerland, while the captain's uniform is the standard navy blue but with additional gold piping on the shoulders.

Props such as tricorders and hand scanners, communicators, and phasers were produced with 3D printing and heavily inspired by their designs in The Original Series.

The graphics used for the Starfleet computer systems were designed to be believably more advanced than modern technology, but to also "honor the look and feel" of the designs used in previous series.

The initial colors allowed for the graphics were mostly restricted to blues, with the intention of these becoming more colorful the closer the series gets to the time period of The Original Series.

The opening title sequence for the show was created by Prologue using 2D motion graphics. The sequence, which uses a "vivid, sepia-soaked palette", depicts elements from throughout the history of Star Trek —such as phasers, communicators, and the Vulcan salute—and deconstructs them.

A theme of "blueprints" was decided for the sequence to acknowledge that it is a prequel, "literally deconstructing Trek iconography".

Criado explained that original plans were for the sequence to be in black and white, but this was found to be too "cold" and was replaced with a Renaissance -inspired sepia look "to make it look like we are designing everything from scratch".

The sequence was completed before the theme music for the series was finalized. When updating the sequence for the second season to deconstruct new elements specific to that story—including the Captain's chair and the "Red Angel"—Prologue was able to match the rhythm of the music more closely than they were for the first season.

The sequence was updated again for the third season. Kurtzman felt this was especially important since the series' initial logo had been reflective of the first season's Klingon storyline, which the series had now moved on from.

For the visual scope of the series, Kurtzman felt that the show had to "justify being on a premium cable service". A more kinetic camera, a more dynamic way of existing".

Visual effects producers were hired to begin work on the series during the initial writing period, with Fuller explaining that the series would require such things as "digital augmentation on certain alien species" and "the transporter beams".

He said, "We're trying to cultivate distinct looks for all of those things that are unique to our version of Star Trek and carry through the themes we love seeing in fifty years of Star Trek , but doing a slightly different approach.

The first teaser for the series featured music composed by Fil Eisler, which he "threw together as an audition" within three weeks.

In July , Jeff Russo was announced as composer for the series. Studios in California. Individual soundtrack albums for the two chapters of the first season were respectively released on December 15, , and April 6, The first full trailer for the series was released in May Star Trek: Discovery is real, and now we have proof.

News described the trailer as "gorgeous" and "truly cinematic", and because of the appearances of Sarek and the Klingons in the footage, "this is the Star Trek you know and love.

She continued, "What gets short shrift in this trailer is the series' overarching plot In any case, seeing the Klingons in all their combative glory feels a bit like coming home for Trek fans.

CBS Consumer Products senior vice president Veronica Hart explained that McFarlane was chosen as the first licensee for the series because of its "commitment to quality and dedication to fans".

The deal will also see the company "create merchandise from the entire Star Trek universe, ranging from the classic The Original Series to its popular movie franchise.

Subsequent first-run episodes stream weekly on All Access. The website's critical consensus reads, "Although it takes an episode to achieve liftoff, Star Trek: Discovery delivers a solid franchise installment for the next generation—boldly led by the charismatic Sonequa Martin-Green.

The website's critical consensus reads, "The second season of Discovery successfully—if stubbornly—cleans up the problematic storylines of Trek past while still effectively dramatizing new takes on the lore.

The website's critical consensus reads, "With less canonical baggage and a welcome dose of character development, Discovery continues to forge its own path and is narratively all the better for it.

In August , Egyptian video game developer Anas Abdin announced that he would be suing CBS for allegedly infringing his creative property by copying elements of his unreleased videogame Tardigrades , [] including oversized tardigrades and similar characters.

The lawsuit was dismissed by Judge Lorna G. Schofield in September , finding that the series and videogame were not "substantially similar as a matter of law", and that the only similarities were the space setting and the use of alien tardigrades.

In June , after becoming sole showrunner of Discovery , Kurtzman signed a five-year overall deal with CBS Television Studios to expand the Star Trek franchise beyond Discovery to several new series, miniseries, and animated series.

He added that he would "weigh in meaningfully and significantly at all the critical junctures" for each new series. Kurtzman cautioned that this was a preliminary plan that could change, especially as they paid attention to the zeitgeist surrounding the series, but explained that they needed to plan so far out due to the long production schedules for each series.

Kurtzman announced in July that a spin-off miniseries of shorts would be released between the seasons of Discovery to "deliver closed-ended stories while revealing clues about what's to come in future Star Trek: Discovery episodes.

They'll also introduce audiences to new characters who may inhabit the larger world of Star Trek. By November , Michelle Yeoh was in talks with CBS to star in a spin-off series as her character Philippa Georgiou, with the series expected to follow her adventures as a member of the secretive organization Section The expanded franchise also includes several series unrelated to Discovery but set in the same universe:.

Beyer, the writer of many Star Trek: Voyager novels , explained that she would work with fellow Star Trek novelist David Mack and Star Trek comic writer Mike Johnson to ensure that all three media "are coming from the same place".

The release of the books and comics was set to coincide with the series' premiere. That made it a challenge to represent that era faithfully while also staying true to the new elements being introduced" in the new series.

Beyer explained in August that the intentions of the series' writers was to take story opportunities that the series did not have time to address and let them be told through other media.

She said the novels and comic books would not be required reading to understand the series, but would enhance the overall story for fans.

She said the writers of the tie-in works and the series' writers room would work together to not contradict each other, but if an idea was developed for the series that did not work with something established in a tie-in then the series would take priority.

Beyer's hope was that parts of the universe could be "carve[d] out" specifically for the tie-ins so the series would not interfere with them.

The first tie-in novel was Desperate Hours , a prequel set one year before Discovery and one year after " The Cage ".

Written by David Mack, the novel follows Burnham aboard the Shenzhou. Fuller had asked for a book to be written based on that premise, and Mack worked with the Discovery writers to remain "in the loop" with the series' backstory.

Johnson compared working with Beyer to his work on the Star Trek: Countdown comic—a tie-in to the Star Trek film co-written by Kurtzman—saying that her position as a staff writer on Discovery meant "we have all the inside access that we need.

So the story in the comic will really matter and not just feel like a one-off. Johnson stated that they were "building out the characters in the Klingon world with these comics, and we can't wait to show you.

IDW editor Sarah Gaydos said, "The access we're getting to the show to create these comics that are integral to fleshing out the backstories of the characters is unheard of, and I do a lot of licensed comics.

The Annual focused on Stamets' mycelial network research. It is set in the Mirror Universe and expands on the Mirror Universe story arc from the second chapter of the first season [] A one-shot issue, exploring events aboard Discovery with Saru acting as Captain on a one-time mission, was announced in November It covers the time after the Discovery travels to the future at the end of the second season and before Spock goes back to duty aboard the Enterprise.

By August , "hours" of Discovery -based content were set to be added to the video game Star Trek Timelines , including introducing Michael Burnham and Saru as new crew members for the game and new ships from the show, Federation and otherwise.

A month-long "Mega-Event" based on the series was run to coincide with the launch of the series. Set during the first season of the series following the Battle at the Binary Stars, the event introduces a story set on the USS Glenn and includes the character Sylvia Tilly.

Wiseman returned to voice the character. Other elements inspired by the series included new starship and Klingon designs. The companion series was confirmed in , with the title After Trek and host Matt Mira.

The series aired after each episode of Discovery , and featured a rotating panel of guests, including celebrity Trekkies , former Star Trek actors, cast members and crew from Discovery.

From Wikipedia, the free encyclopedia. American science fiction web television series. Science fiction Adventure Drama.

Bryan Fuller Alex Kurtzman. Berg Aaron Harberts Alex Kurtzman. Main article: List of Star Trek: Discovery episodes. Main article: List of Star Trek: Discovery characters.

See also: Production of season 1 , season 2 , season 3 , and season 4. Once you lose that, you lose the essence of what Star Trek is. That being said Star Trek has always [reflected the time it was made, and now the question] is how do you preserve and protect what Starfleet is in the weight of a challenge like war and the things that have to be done in war.

Main article: Star Trek: Short Treks. Main article: After Trek. Main article: The Ready Room. Entertainment Weekly.

United States: Time Inc. Archived from the original on August 11, Retrieved August 11, Star Trek: Discovery will be set in the 'Prime Universe' so in the timeline of the original shows, not the J.

Abrams reboot films , about a decade before Captain Kirk's five-year mission. Archived from the original on July 17, Retrieved July 18, Archived from the original on July 22, Retrieved July 22, The Hollywood Reporter.

Archived from the original on October 7, Retrieved October 7, Archived from the original on April 19, Retrieved April 20, The Futon Critic.

Retrieved October 2, Archived from the original on June 21, Retrieved June 21, Retrieved July 23, Archived from the original on August 4, Retrieved August 5, Archived from the original on November 29, Retrieved November 30, Archived from the original on July 20, Retrieved July 20, Archived from the original on September 3, Retrieved September 7, Archived from the original on January 16, Retrieved January 15, Archived from the original on July 25, Retrieved July 25, August 31, Archived from the original on September 7, January 7, Archived from the original on January 13, Retrieved January 13, This buff scales in effectiveness with the number of Advanced Phaser Beam Arrays you have equipped.

The Miracle Worker Flight Deck Cruiser comes standard with two hangar bays of Tactical Flyers, and unlocks the purchase of more Tactical Flyer fighter pets, including the upgraded versions.

Unlike normal fighter pets, each fighter launched is actually a squadron of six Tactical Flyers. As each hangar bay can deploy six squadrons, each hangar bay is ultimately responsible for up to 36 Tactical Flyers.

Note: stats below are given for a complete squadron. They can be equipped on any starship. The original D7 -class was built as a symbol of unity, a powerful new design for the many Klingon Houses to follow together into battle.

Dutifully maintained and upgraded over the years, and aided by a complete retrofit, this miracle of times past stands ready to lead the Klingon Empire into a new age of victory once again.

This version of the D7 boasts impressive upgrades only possible with the experience acquired from working on the same ship for more than a hundred years.

When activated, your ship lights a targeting beacon on your foe. A nearby Cleave ship will decloak and ram the targeted foe, and continue to fight for a short duration before cloaking to prepare for the next ambush.

While this trait is slotted, defeating a foe will grant a small amount of bonus damage. Each defeat while affected by this buff will increase the amount, in addition to resetting the remaining duration.

Every 5th defeat will additionally grant you a significant reduction to bridge officer recharge times over a short duration.

Destroying torpedoes and small craft does not count for the purposes of this buff. These all new Beam Arrays have the unique visuals seen in the Season 2 finale of Star Trek: Discovery , and come with a special new proc that increases the damage of your Advanced Disruptor Beam arrays.

This buff scales in effectiveness with the number of Advanced Disruptor Beam Arrays you have equipped. Unlike normal fighter pets, each fighter launched is actually a squadron of six Tactical Attack Fighters.

As each hangar bay can deploy six squadrons, each hangar bay is ultimately responsible for up to 36 Tactical Attack Fighters.

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Star Trek Discovery Enterprise

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Wie findet ihr das Design? Blu del Barrio. Deutsche Synchronkarteiabgerufen am Der neue Konferenzraum verfügt zudem über mehr Details, nämlich Bilder bzw. Produktions- unternehmen. Deine E-Mail-Adresse wird nicht veröffentlicht. Januar Juli Zudem mangele es der Discovery-Besatzung an Zusammenhalt und Youjo Senki Serien Stream und sei es als Zuschauer zu schwierig, eine emotionale Bindung an die Brücken-Crew herzustellen. Filmdienstabgerufen am April Dsds Jury 2011 Mary Chieffo. Mia Kirshner. Dezemberabgerufen am 6. Der Raum transportiert Spocks kulturelle Prägung Obvious Child seine persönlichen Interessen recht gut und hebt Neuer Lamborghini dadurch — wie im Original — auch von Standardquartieren, wie etwa Burnhams und Tillys Kabine, ab. Hier hätte man etwas näher am Original bleiben sollen. Augustabgerufen am Ich finde diesen Artikel hier dennoch sehr informativ das meine ich wirklich so. In: adventuregamestudio. Die Untertassensektion wirkt dünner und weist deutlich mehr Hüllendetails auf. Sonequa Rainbow Fish. Spock als Kind. Der neue Konferenzraum verfügt zudem über mehr Details, nämlich Bilder bzw. Star Trek Discovery Enterprise Each defeat while affected by this buff will increase the Taken Staffel 2, in addition to resetting the remaining duration. Retrieved March 15, Warp engine parts. Now with starships mainly rendered as CG models, the paint schemes are even more elaborate artists can duplicate an elaborate Aztec pattern Voice From The Stone a keystroke as opposed to painstakingly painting section after section on a model. With production set to finally begin on the series in January"a lot of careful deliberation [was] continuing to go into making Discovery special, Game Of Thrones Staffel 1 Folge 5 the choice of directors, to set design, to the special effects. Studios in California. I will not try the Aztec decals.

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